Case File
efta-01791126DOJ Data Set 10OtherEFTA01791126
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DOJ Data Set 10
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efta-01791126
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From:
Ed
Sent:
Thursday, February 14, 2013 3:02 PM
To:
Epstein, Jeff
Subject:
For your amusement
Hi Jeff
Here is my diary entry on VN
Nabokov
September 14, 1953
I wandered into Lit 311 soon after I arrived at Cornell in September =953. It was not that I had any interest in European
literature, or any =iterature. I was just shopping for a class that met on Monday, =ednesday, and Friday mornings so I
wouldn't have any Saturday =lasses and "literature" also filled one of the requirements for =raduation. It was officially
called European Literature of the =ineteen Century, but unofficially called "Dirty Lit" by the =ornell Daily Sun, since it
dealt with adultery in Anna Karenina and =adame Bovary.
The professor was Vladimir Nabokov, an emigre from Czarist Russia. =bout six feet tall and balding, He stood, with what I
took to be an =ristocratic bearing, on the stage of the 250 seat lecture hall in =oldwin Smith. Facing him on the stage was
his white-haired wife Vera, =ho he identified only as "my course assistant." He made it clear =rom the first lecture he
had little interest in fraternizing with =tudents, who would be known not by their name but by their seat =umber. Mine
was 121. He said his only rule was that we could not leave =is lecture, even to use the bathroom, without a doctors'
note.
He then described his requisites for reading the assigned books. He =aid we did not need to know anything about their
historic context, and =hat we should under no condition identify with any of the characters =n them, since novels are
works of pure invention. The authors, he =ontinued, had one and only one purpose: to enchant the reader. So all =e
needed to appreciate them, aside from a pocket dictionary and good =emory, was our own spines. He assured d us that
the authors he had =elected— Leo Tolstoy, Nikolai Gogol, Marcel Proust, James Joyce, =ane Austen, Franz Kafka, Gustave
Flaubert and Robert Louis =tevenson— would produce tingling we could detect in our spines.
So began the course. Unfortunately, distracted by the gorges, lakes, =ovie houses, corridor dates, and other more local
enchantments of =thaca, I did not get around to reading any of Anna Karenina before =abokov sprung a midterm exam
called a "prelim." It consisted of a =ingle essay question: "Describe the train station in which Anna =irst met Vronsky."
Initially, I was stymied by this question because, having not yet read =he book, I did not know how Tolstoy had portrayed
the station. But I =id recall the station shown in the 1949 movie starring Vivien Leigh. =aving something of an eidetic
memory, I was able to visualize a =ulnerable-looking Leigh in her black dress wandering through the =tation, and, to fill
the exam book, I described in great detail =verything shown in the movie from a bearded vendor hawking tea from a
=ot-bellied copper samovars to two white doves nesting overheads. Only =fter the exam I learned that many of the
details I described from the =ovie were not in the book. Evidently, director Julian Duvivier had =sed some poetic license
in filming it. Consequently, when Nabokov =sked "seat 121" to report to his office after class. I fully =xpected to be
failed, or even thrown out from Dirty Lit.
What I had not taken into account was Nabokov's theory that great =ovelists create pictures in the heads of their
readers that go far =eyond what they describe in the words in their books. (Perhaps this =heory accounted for the set
decor and Vivian Leigh's sexy dress in =he movie.) In any case, since I was the only one in the exam to confirm his theory
=y describing what was not in the book, he not only gave me an "A," =ut offered me a one-day-a-week job as an
"auxiliary course =ssistant." Oddly enough, it also involved movies. Every Wednesday, =he movies changed at the four
theaters in downtown Ithaca, called by =abokov "the near near," "the near far," "the far near," and "the far =ar." My
task was to see all four new movies on Wednesday and Thursday, =nd then brief him on them on Friday morning. He
said that since he had =ime to see only one movie, this briefing would help him decide which =ne of them, if any, to see.
It was a perfect job for me, I got paid =or seeing movies.
All went well for the next couple of months. I had caught up with the =eading, and greatly enjoyed my Friday morning
chat with Nabokov in his =ffice on the second floor of Goldwin Smith. Even though it rarely =acted more than 5 minutes,
EFTA_R1_00120809
EFTA01791126
it made me the envy of other students in =irty Lit. Vera was usually sitting across the desk from him, making me =eel like
I had interrupted their extended study date. My undoing come =hat November, just after he had lectured on Gogol's
"Dead =ouls."
The day before I had seen The Queen of Spades, a 1949 British film =ased on Alexander Pushkin's 1833 short story. It
concerned a Russian =fficer who, in his desperation to win at cards, murdered an elderly =ussian countess to learn her
secret method of card picking method. He =eemed uninterested in my recounting the plot, but his head shot up =hen I
said in conclusion that it reminded me of "Dead Souls." Vera =Iso turned around and stared directly at me. Peering
intently at me, =e asked "Why do you think that."
I instantly realized I had made some connection that resonated with a =iew he had, or was developing, concerning these
two Russian authors. =t that point, I should have left the office, making some excuse such =s I needed to give the
question more thought. Instead, I gave my =ctual (pathetic)logic, saying "They are both Russian."
His face dropped, and Vera turned back to face him. While my gig =ontinued to the end of the term in December, it was
never the same.
Best regards
Ed Epstein
www.edwardjayepstein.com
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