EFTA02464161

From: Misha Gromov claihes.fr). Sent: Sunday, May 15, 2016 8:30 AM To: jeffrey E. Subject: Re: I guess the meaning of music resides in the network of similarities betw=en musical pieces that is rather simple compared to that for languges About 3. " in your meaning re shape same issue. when i= round , round. coarse grain? etc. it appears to m= that if something has meaning , that something is bounded. " In my schemes, there is no concept of meaning of an individual something=-- only of a kind of dynamic network "classifying<=p). "virtual meanings" On Fri, 13 May 2016 22:36:14 +0200, jeffrey E. wrote: 1. always , if i invest in somethi=g you bring to me. the deal is the same for all my friends. &nb=p; I put up all the money, take all the financial risk ,=and if there is a profit you and i split it 50/50. 2. I, wrestling with , meaning in a musical phrase. /&nbs=; notes with out a relationship to each other . &nb=p; is composition the arrow on the note category.. = can we tell if the string is melodic. does the information in=the string somehow give us a window.? repetition. relati=n. temporal. , absolute number bounds. ? &nbs=; max notes per sec? 3. in your meaning re shape same issue. when i= round , round. coarse grain? etc. it appears to m= that if something has meaning , that something is bounded. &nb=p; . please note The information contained in this communication is confidential, =ay be attorney-client privileged, may constitute inside information, =nd is intended only for the use of the addressee. It is the property =f TEE Unauthorized use, disclosure or copying of this commu=ication or any part thereof is strictly prohibited and may be unlawfu=. If you have received this EFTA_R1_01571385 EFTA02464161 communication in error, please notify us =mmediately by return e-mail or by e-mail to [email protected] <mailto:[email protected]> , and destroy this communicat=on and all copies thereof, including all attachments. copyright -all =ights reserved 2 EFTA_R1_01571386 EFTA02464162