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d-18187House OversightOther

Jeffrey E. discusses art‑world networking with Etienne Binant, mentions "crazy busy" with Trump in 2017

The email provides only a vague reference to being busy because of Trump, with no concrete names, transactions, dates, or allegations linking powerful actors to wrongdoing. It offers minimal investiga Email dated Feb 10, 2017 between Jeffrey E. and Etienne Binant Mentions "crazy busy" due to Trump’s presence Discusses plans to meet artists in LA or Berlin

Date
November 11, 2025
Source
House Oversight
Reference
House Oversight #032488
Pages
1
Persons
0
Integrity
No Hash Available

Summary

The email provides only a vague reference to being busy because of Trump, with no concrete names, transactions, dates, or allegations linking powerful actors to wrongdoing. It offers minimal investiga Email dated Feb 10, 2017 between Jeffrey E. and Etienne Binant Mentions "crazy busy" due to Trump’s presence Discusses plans to meet artists in LA or Berlin

Tags

art-marketpolitical-contextpolitical-commentaryemail-correspondencetrumphouse-oversight

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Text extracted via OCR from the original document. May contain errors from the scanning process.
De : jeffrey E. <jeevacation@ gmail.com> Envoyé : vendredi 10 février 2017 18:40 A: Etienne Binant; Lang, Caroline Objet : Re: update yes, lets start. . yes we are on. sorry with trump around its been very crazy busy On Fri, Feb 10, 2017 at 7:59 AM, Etienne Binant <P wrote: Hi Jeffrey Happy to talk to you almost anytime today until around 3PM. Just tell me what number | should reach. Not sure what got lost in translation here: never had the intention to go to any art fair or art show or anything of the kind. All the artists we have in mind or send to you are people we have direct connections with. Not just their studio, but also their home. They are people the work of whom we follow, and many of them are already friendly (Arianna, Cali have had dinner or stayed home). The idea is absolutely to have an impact on the ecosystem and to make a difference by supporting great artists when they need it. Galleries references are important, because galleries allow artist to reach a broader audience. We would go directly to the source. This is why it's important for me to go to LA or Berlin (or elsewhere) because those artists are not rich yet, they dont travel so much. They belong to a scene, and it does make a big difference to them if you connect in person. The spirit is to have an impact on young, talented folks, and absolutely to stay at the source. Once again, not sure was drifted away from this in communication De : jeffrey E. <jeevacation@ gmail.com> Envoyé : vendredi 10 février 2017 12:32

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