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efta-01809911DOJ Data Set 10OtherEFTA01809911
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Unknown
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DOJ Data Set 10
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efta-01809911
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7
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"Jeffrey Epstein" [email protected]> Fw: Acting In
Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov 2011 Sent via
BlackBerry by AT&T From: "Kristof Konrad"
Date: Tue, 11 Oct 2011 17:57:53 -0700 To:
Subject: Re:
Acting In Film & the Alexander Technique, LA
-day N
ntensive, Nov 2011
Thank you for
your interest in Los
Angeles Acting in Film and the Alexander Technique
Workshop, NOVEMBER 11 - 13, 2011 (FRI, SAT ,
SUN )
B
Ibll send you an e-mail- INVOICE and you can pay
with a credit card or bank acc.
B
Workshop Fee: B $ 464 - ($14 payment fee
included)
B
I will hold the space
for few days to recive the payment.
B
THE PAYMENT IS NOT REFUNDIBLE AFTER NOVEMBER 6, 2011
B
Best,
B
Kristof
Konrad
p: www.un .com name nn
!III
IM
)Ri
l
B
Original Message
From:
.11.14.1
Sent:
ues ay, c o er , 011 11:13
AM
Subject Re: Acting In Film & the
Alexander Technique, LA 3-day ON CAMERA Intensive, Nov 2011
Ok I'll love to enjoy the class , how can process with the
credit card ?
Sent via BlackBerry by AT&T
From: AlexanderTechworks
Sender: AlexanderTechworks
Date: Mon, 10 Oct 2011 14:01:18 -0400 (EDT)
To:
ReplyTo:
Subject: Acting n im
e
exander Technique, LA 3-day ON
CAMERA Intensive, Nov 2011
EFTA_R1_00169367
EFTA01809911
Having trouble viewing this email? Click here
AlexanderTechworks B
ACTING
IN FILM
and
the
Alexander
Technique
B
B
B
BB BBB
People don't
always express their inner thoughts to one another; a
conversation may
BBBBB
be quite trivial, but often the eyes will reveal what
a person really thinks or feels.
B
B
BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB
BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB
Alfred Hitchcock
B
EFTA_R1_00169368
EFTA01809912
8
A
Three Day ON
CAMERA Acting in FILMBIntensive,B
LOS
ANGELES with 8 8 JEAN-LOUIS
RODRIGUE and
KRISTOF
KONRAD B B B NOV
11, 12, 13, 2011 ; 10:00 a.m.- 6:00
p.m.
B
Tuition:
$450
8
An
actor's vision is lived emotionally and
physically.6 That kind of performance requires
more than instinct- it needs interpretative
intelligence and a mastery of physical, psychological,
and emotional craft into performance.8
Internationally acclaimed teachers Jean-Louis Rodrigue
and Kristof Konrad team up to present an
intensive workshop to explore the skills and tools
that are required for the extraordinary creation of
characters and performances.B
8
8
Wheel of
Wellbeing ;
1575 Westwood
Blvd. B Los Angeles , CA 90024
B
To
Register
call Kristof
b
B
COURSE
CONTENT:
B
*Stage versus Film
Acting
B*Being in your
Body, Ease and Availability
B*Becoming versus
Performing
B*Trusting That
EFTA_R1_00169369
EFTA01809913
You are Enough (What does that
mean?)
B*You are more
then Your Habits
*Freeing our movement
by learning to organize body
relationships
*Freeing impulse and
response patterns, allowing
spontaneity
*Discovering Stillness
and Vulnerability in Close Up
*Listening, with your
whole body
B*Personality and
Character
*Breath as energy and
vehicle for the emotion
*Yor
Emotion, not your words,B communicates to the
audience
what
is really going on
B*Relating to
Other Actor's EmotionsB (Sadness, Happiness,
Anger, Love, Fear)
B*Emotions as an
Undercurrent
*Five Arts of Film
Acting
(Concentration, Not
Knowing, Acceptance, Giving and Receiving,
Relating)
B
b&b&b&
JEAN-LOUIS
RODRIGUE
has most recently coached
Leonardo DiCaprio for J. EDGAR and Chris Pine for THE
LIEUTENANT OF INISHMORE at the Mark Taper Forum. He
has worked with Larry Moss on the movement and vocal
aspects of Pamela Gien's award winning play THE
SYRINGA TREE, Bo Eason's RUNT OF THE LITTER and April
Daisy White's SUGAR.BHe has trained and coached
performers at the ROYAL SHAKESPEARE COMPANY, MARK
TAPER FORUM, GEFFEN PLAYHOUSE, LOS ANGELES
PHILHARMONIC INSTITUTE, STEPPENWOLF, SAN FRANCISCO
OPERA, STUTTGART OPERA, CIRQUE DU SOLEIL, VERBIER
FESTIVAL, GETTY VILLA, and on BROADWAY.B Past and
current students include: ANG LEE, JOSH BROLIN, IAN
McKELLEN, HELENA BONHAM CARTER, JULIETTE BINOCHE,
HILARY SWANK, SIMON BAKER, KEANU REEVES, PATRICIA
ARQUETTE and JOBETH WILLIAMS.B Jean-Louis is on
faculty at the UCLA School of Theater, Film and Television .
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KRISTOF
KONRAD
was born in Poland, trained as
an actor at the NationalDramaticAcademy in Warsaw,
Poland and the AlexanderFersenAcademy in Rome, Italy.
While in Poland, he studied and worked with theater
and film masters JERZY GROTOWSKI and ANDRZEJ WAJDA. In
the USA he worked with directors KENNETH BRANAGH, RON
HOWARD andBROLAND EMMERICH. His credits include:
ANGELS AND DEMONS, HOTEL CALIFORNIA,
INDEPENDENCEDAY,
NIKITA, SCANDAL,BBURN NOTICE,
UNDERCOVERS,BRAISING THE BAR, OPERATION SAMUM,
ALIAS, THE AGENCY, JAG, E- RING and many others.
KristofBhas taughtBfor the VERBIER FESTIVAL
& ACADEMY in Switzerland andBUBS VERBIER
ORCHESTRA. He is teaching Intensive Acting in Film and
Alexander Technique Workshops in: New York, Los
Angeles, Milan, Berlin, Toronto and Vancouver. In the
U.S., he has taught with Jean-Louis at the LARRY MOSS
STUDIO, HOWARD FINE STUDIO, THEATRICUM BOTANICUM,
MEDIA ACCESS and recently worked with the artists of
the ROYAL SHAKESPEARE COMPANY and the CIRQUE DU
SOLEIL. Past and current students include: KENNETH
BRANAGH, COBIE SMULDERS, JOBETH WILLIAMS, ERIC DANE,
and SHARON LAWRENCE.
BBBBBBBBBBBBBBB B
Visit us at : www.AlexanderTechworks.com
B
"I really like to look into
the physical acting characteristics of my character,
because it helps me to transform.B The Alexander
Technique helps me to burrow into roles like gay
cowboys and drug addicts by focusing on my posture,
movement, and
presence." BB
HEATH LEDGER B
B
"Jean-Louis Rodrigue always
brings a personal and positive approach to his
coaching work.B His involvement is timeless and
complete.B He is generous, genuine, and creative
such that even when a character or a story is
frightening, it becomes about exploring the work and
being of service.B Jean-Louis has a clear view of
the character the actor is playing and also an
awareness of the purpose and structure of the whole
movie, which engages the entire actor's intention and
responsibility with the project.B His work is a
useful and exciting way to open my channels for my
research as an
actress.BBBBBBBBBBBBB B
EFTA_R1_00169371
EFTA01809915
B
JULIETTE
BINOCHEB
B
"The
Alexander technique is invaluable to actors of all
ages. It helps us find new depth in exploring the
physical and emotional life of a character. And it has
helped me correct physical issues which affect my
daily life. Jean-Louis and Kristof immediately create
a level of trust and comfort in teaching this
technique which allows all of us in the class to open
up to the learning experience. I continue to work
privately with them because I believe so strongly in
their skill in teaching this technique, and its
positive effect on my well-being."
B
JOBETH WILLIAMS
B
"Jean-Louis Rodrigue is a
popular movement coach in Los Angeles whose specialty
is helping actors bringB gracefulness and
fluidity to their performances.B A combination of
acting coach ,BAlexanderTechniqueSteacher
andBmovement specialistB, Mr. Rodrigue uses
techniques that have much in common with dance
training.B His teachings emphasize an awareness
of the body and the physicality of performance.B
When performers make the physical component of their
work as important as the intellectual, they become far
more convincing and
seamless."BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB
BBBBBBBBBBBBBBBBBBBBBBBBBBB BBBBBBBBBBBBBB
B
VALERIE GLADSTONE, New York
Times
B
"The
absolute best Alexander classes are given daily by my
four-month old son. Kristof and Jean-Louis are a close
second. They are not only expert in the theory and
application of this incredible technique but pursue
their work with a vibrant, contagious love. Their
endeavor to help performers choose a new physical life
that allows them to be more fully present--in essence,
to use themselves differently--is profound, and has
implications not only for life on the stage, but for
life in general. Kristof and Jean-Louis create a
EFTA_R1_00169372
EFTA01809916
beautiful work environment: safe, rigorous,
personal--and sprinkled with a healthy dose of humor.
I am so grateful to have had the opportunity to work
with them. And they don't spit up nearly as much as my
son!"
B
PETER HERMANN " War Horse"
Broadway
B
"Jean-Louis
is a gifted teacher. Some teachers are able to adjust,
fix, or produce results in students immediately.B
However, often their work does not have a lasting
value.B Jean-Louis is not in that category.B
His understanding of the Alexander Technique and
theBpsychology of the American actor is such that
he is able to leave a lasting impression on most of
the actors he encounters.B It is a pleasure to be
able to testify to his skill, ability, and
artistry"
B
LOUIS SCHEEDER, Director of Classical Studio,
NYU Drama, TischSchool of the
ArtsB kristof
konrad AlexanderTechworks
Forward email
This email was sent to
by
B
Update Profile/Email Address I Instant removal with SafeUnsubscribe b" I
Privacy
Policy . AlexanderTechworks I P.O.BOX 3194 I Beverly Hills I CA
90212
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