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efta-01854415DOJ Data Set 10OtherEFTA01854415
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Unknown
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DOJ Data Set 10
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efta-01854415
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7
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0
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EFTA DisclosureText extracted via OCR from the original document. May contain errors from the scanning process.
To:
•
'
gmail.com]
From:
Sent
Sun 10/23/2011 2:21:33 PM
Subject: Re: Fw: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov
2011
I know... Thanks for trying :)
I'm still gonna get back in shape and maybe I can see them in the future.
Do you think I can go to the show as a guest? If its not possible, its no biggie.
What are you doing later?
Sent via BlackBerry by AT&T
From: Jeffrey Epstein leevacation®gmail.com>
Date: Sun, 23 Oct 2011 10:13:49 -0400
To:
Subject: e:
1.
M/
1W
the Alexander Technique,
Nov 2011
in the gym ... you can count on my help„ when i can„ i spoke
be possible . we have to rebuild first .. they are swamped.
On Sun, Oct 23, 2011 at 9:57 AM,
O, that's so sweet! I already paid!
I just sent to show you which class I'm taking and the technique.
How are you doing?
LA 3-day ON CAMERA Intensive,
re vs show.. and this time it will not
wrote:
Sent via BlackBerry by AT&T
From: Jeffrey Epstein <jeevacation@ ulna II com-
D
00
To
Subject: Re: Fw: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA
Intensive, Nov 2011
would you like me to pay.? its a treat to do so
On Sun, Oct 23, 2011 at 9:23 AM,
wrote:
Sent via BlackBerry by AT&T
From: "ICristof Konrad"
Date: The, 11 Oct 2011 1,3
-0700
EFTA_R1_00250678
EFTA01854415
To:
Subject: Re: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive,
Nov 201 I
hi Alina,
Thank you for your interest in Los Angeles Acting in Film and the Alexander Technique Workshop,
NOVEMBER 11 - 13, 2011 (FRI, SAT, SUN)
I'll send you an e-mail- INVOICE and you can pay with a credit card or bank acc.
Workshop Fee: $ 464 - ($14 payment fee included)
I will hold the space for few days to recive the payment.
THE PAYMENT IS NOT REFUNDIBLE AFTER NOVEMBER 6, 2011
Best,
Kristof Konrad
Original Messa
F
To:
Sen : ue ay, co er
,
:13 AM
Subject: Re: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov
2011
e —
Ok I'll love to enjoy the class , how can process with the credit card ?
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Front: AlexanderTechworks
Sender: AlexanderTechworks
Date: Mon, 10 Oct 2011 14:0 .
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Subject: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov
2011
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EFTA_R1_00250679
EFTA01854416
ACTING IN FILM
and
the Alexander Technique
People don't always. eyress their inner thoughts to one another; a conversation may
be quite trivial, but often the eves will reveal what a person really thinks affray,
Alfred I litchcock
A Three Day ON CAMERA Acting in FILM Intensive,
LOS ANGELES
with
JEAN-LOUIS RODRIGUE and KRISTOF KONRAD
NOV 11, 12, 13, 2O11 ; 10:00 a.m.- 6:00 p.m.
Tuition: $450
E FTA_R1_00250680
EFTA01854417
An actor's vision is lived emotionally and physically. That kind of performance requires
more than instinct- it needs interpretative intelligence and a mastery of physical,
psychological, and emotional craft into performance. Internationally acclaimed teachers
Jean-Louis Rodrigue and Kristof Konrad team up to present an intensive workshop to
explore the skills and tools that are required for the extraordinary creation of characters
and performances.
O
call Kristof
e-mail:
COURSE CONTENT:
*Stage versus Film Acting
*Being in your Body, Ease and Availability
*Becoming versus Performing
*Trusting That You are Enough (What does that mean?)
*You are more then Your Habits
*Freeing our movement by learning to organize body relationships
*Freeing impulse and response patterns, allowing spontaneity
*Discovering Stillness and Vulnerability in Close Up
*Listening, with your whole body
*Personality and Character
*Breath as energy and vehicle for the emotion
"Yor Emotion, not your words, communicates to the audience
what is really going on
*Relating to Other Actor's Emotions (Sadness, Happiness, Anger,
Love, Fear)
*Emotions as an Undercurrent
*Five Arts of Film Acting
(Concentration, Not Knowing, Acceptance, Giving and Receiving,
Relating)
•••
JEAN-LOUIS RODRIGUE
has most recently coached Leonardo DiCaprio for J. EDGAR and Chris Pine for
THE LIEUTENANT OF INISHMORE at the Mark Taper Forum. He has worked
with Larry Moss on the movement and vocal aspects of Pamela Gien's award
winning play THE SYRINGA TREE, Bo Eason's RUNT OF THE LITTER and April
Daisy White's SUGAR. He has trained and coached performers at the ROYAL
SHAKESPEARE COMPANY, MARK TAPER FORUM, GEFFEN PLAYHOUSE, LOS
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EFTA01854418
ANGELES PHILHARMONIC INSTITUTE, STEPPENWOLF, SAN FRANCISCO
OPERA, STUTTGART OPERA, CIRQUE DU SOLEIL, VERBIER FESTIVAL,
GETTY VILLA, and on BROADWAY. Past and current students include: ANG
LEE, JOSH BROLIN, IAN McKELLEN, HELENA BONHAM CARTER, JULIETTE
BINOCHE, HILARY SWANK, SIMON BAKER, KEANU REEVES, PATRICIA
ARQUETI E. and JOBETH WILLIAMS. Jean-Louis is on faculty at the UCLA
School of Theater, Film and Television.
KRISTOF KONRAD
was born in Poland, trained as an actor at the NationalDramaticAcademy in
Warsaw, Poland and the AlexanderFersenAcademy in Rome, Italy. While in
Poland, he studied and worked with theater and film masters JERZY GROTOWSKI
and ANDRZEJ WAJDA. In the USA he worked with directors KENNETH
BRANAGH, RON HOWARD and ROLAND EMMERICH. His credits include:
ANGELS AND DEMONS, HOTEL CALIFORNIA, INDEPENDENCEDAY, NIKITA,
SCANDAL, BURN NOTICE, UNDERCOVERS, RAISING THE BAR, OPERATION
SAMUM, ALIAS, THE AGENCY, JAG, E- RING and many others. Kristof has
taught for the VERBIER FESTIVAL & ACADEMY in Switzerland and UBS
VERBIER ORCHESTRA. He is teaching Intensive Acting in Film and Alexander
Technique Workshops in: New York, Los Angeles, Milan, Berlin, Toronto and
Vancouver. In the U.S., he has taught with Jean-Louis at the LARRY MOSS
STUDIO, HOWARD FINE STUDIO, THEATRICUM BOTANICUM, MEDIA
ACCESS and recently worked with the artists of the ROYAL SHAKESPEARE
COMPANY and the CIRQUE DU SOLEIL. Past and current students include:
KENNETH BRANAGH, COBIE SMULDERS, JOBETH WILLIAMS, ERIC DANE,
and SHARON LAWRENCE.
Visit us at : www.AlexanderTechworks.com
"I really like to look into the physical acting characteristics of my character, because
it helps me to transform. The Alexander Technique helps me to burrow into roles
like gay cowboys and drug addicts by focusing on my posture, movement, and
presence."
- HEATH LEDGER
"Jean-Louis Rodrigue always brings a personal and positive approach to his
coaching work. His involvement is timeless and complete. He is generous, genuine,
and creative such that even when a character or a story is frightening, it becomes
about exploring the work and being of service. Jean-Louis has a dear view of the
character the actor is playing and also an awareness of the purpose and structure of
the whole movie, which engages the entire actor's intention and responsibility with
the project. His work is a useful and exciting way to open my channels for my
research as an actress.
- JULIETTE BINOCHE
"The Alexander technique is invaluable to actors of all ages. It helps us find new
depth in exploring the physical and emotional life of a character. And it has helped
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me correct physical issues which affect my daily life. Jean-Louis and Kristof
immediately create a level of trust and comfort in teaching this technique which
allows all of us in the class to open up to the learning experience. I continue to work
privately with them because I believe so strongly in their skill in teaching this
technique, and its positive effect on my well-being."
- JOBETH WILLIAMS
"Jean-Louis Rodrigue is a popular movement coach in Los Angeles whose specialty
is helping actors bring gracefulness and fluidity to their performances. A
combination of acting coach , AlexanderTechnique teacher and movement
specialist , Mr. Rodrigue uses techniques that have much in common with dance
training. His teachings emphasize an awareness of the body and the physicality of
performance. When performers make the physical component of their work as
important as the intellectual, they become far more convincing and
seamless."
- VALERIE GLADSTONE, New York Times
"The absolute best Alexander classes are given daily by my four-month old son.
Kristof and Jean-Louis are a close second. They are not only expert in the theory and
application of this incredible technique but pursue their work with a vibrant,
contagious love. Their endeavor to help performers choose a new physical life that
allows them to be more fully present--in essence, to use themselves differently--is
profound, and has implications not only for life on the stage, but for life in general.
Kristof and Jean-Louis create a beautiful work environment: safe, rigorous,
personal--and sprinkled with a healthy dose of humor. I am so grateful to have had
the opportunity to work with them. And they don't spit up nearly as much as my
son!"
- PETER HERMANN " War Horse" Broadway
"Jean-Louis is a gifted teacher. Some teachers are able to adjust, fix, or produce
results in students immediately. However, often their work does not have a lasting
value. Jean-Louis is not in that category. His understanding of the Alexander
Technique and the psychology of the American actor is such that he is able to leave a
lasting impression on most of the actors he encounters. It is a pleasure to be able to
testify to his skill, ability, and artistry"
- LOUIS SCHEEDER, Director of Classical Studio, NYU Drama, TischSchool of
the Arts
kristof konrad
AlexandetTechworks
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The information contained in this communication is
confidential, may be attorney-client privileged, may
constitute inside information, and is intended only for
the use of the addressee. It is the property of
Jeffrey Epstein
Unauthorized use, disclosure or copying of this
communication or any part thereof is strictly prohibited
and may be unlawful. If you have received this
communication in error, please notify us immediately by
return e-mail or by e-mail to jeevacation@gmail.com and
destroy this communication and all copies thereof,
including all attachments. copyright -all rights reserved
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